Já está disponível o novo número da ARTis On, n.º10, dedicado à Arquitetura Assistencial.
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Artistic and technical Iberian influences on Goan paintings
Goan Christian paintings began to be produced after the conquest of Goa by Afonso de Albuquerque in 1510. During their occupation, Goa became the centre of Portuguese India and many Churches were built here. Evangelization was important to the Portuguese Government and producing paintings was the means to attain this.
In this week's presentation, Vanessa will compare three paintings of the same time period and theme establishing a correlation between the materials used and artistic treatises of the same era, revealing similar procedures and ideological perspectives.
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Assinalamos a publicação do artigo do Investigador doutorando António Cota Fevereiro na Ninettenth-Century Art Worldwide - a journal of nineteenth-century visual culture, intitulado "Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model" [Volume 19, Issue 2, Autumn 2020]
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"toda gornecida de prata lavrada" A PRESENÇA DA PRATA NO LEITO DO PALÁCIO NACIONAL DE SINTRA: UMA LEITURA ORNAMENTAL E ICONOGRÁFICA, é o texto da autoria de Teresa Leonor M. Vale, no terceiro volume da série de monografias "Coleções Em Foco | Palácios Nacionais | Sintra Queluz Pena", consagrado a uma peça extraordinária do Palácio Nacional de Sintra: o leito dos duques de Cadaval.
O acesso é livre e gratuito.
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Conferência online "Travelling Objects, Travelling People: Art and Artists of Late-Medieval and Renaissance Iberia and Beyond, c. 1400-1550"
Reservas abertas
Dia 11 de Dezembro - 16h25-16h45 - Painel 5:
Vanessa Antunes (ARTIS-IHA/FLUL) - "Travelling from Flanders to Portugal Via Techniques and Materials: the Portuguese Copy of the Painter Jorge Afonso to Quentin Metsys's Painting The Angel Appearing to Saints Clara, Colette and Agnes"
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